SINGED: Muted Voice-Transmissions, After the Fire

by Daniela Cascella

ISBN 978-0-9931955-6-3.
Paperback, 168pp
Publication date: November 2017
Equus Press: London

Price: € 12.00 (not including postage)


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Singed carries further what Cascella began in her previous two books, En Abîme: Listening, Reading, Writing (Zero, 2012) and F.M.R.L. – Footnotes, Mirages, Refrains and Leftovers of Writing Sound (Zero, 2015). In the former, she explored listening and reading as memory-based activities both creative and critical; the latter’s “deranged essays” operated across sonic patterns, assonance, repetitions, and complemented reading with voicing. A synthesis of the two projects, Singed performs a transmission of knowledge in a condition of instability across languages, media and cultures. The text attempts a multilingual type of writing, not “in translation,” but in “trance-lation”: between languages, ceaselessly trancelating words, rhythms and silences in a state of otherness in motion. In Singed, Cascella presents memory as sonically associative (“Will the song’s murmur muster a mourning?”), meditating on how to undertake writing vis-a-vis silence. “The smell of singed paper haunts me. Is this a burning, is it a song? Sing, singed.” Cascella’s radically experimental poiesis conceives of text as a space of doing but also stillness, of transmission but also interference. In Singed she writes criticism that includes silence, repetitions and dead ends; that retains mystery and the unspoken, in a language out of synch; that interrogates the very the necessity of using language: “Where does the necessity to speak and write arise from, and what are the hooks I can hold on to in the absence of records?”