Theorising the "poetic turn" in cultural discourse from the post-War era to the present, The Organ Grinder's Monkey meditates on the post-avant-garde condition mapped out in the work of an international roster of artists, writers, philosophers and film-makers, from Abstract Expressionism to the New Media, including Andy Warhol, Jean-Luc Godard, Cy Twombly, Jacques Derrida, Rosalind Krauss, Samuel Becket, Katherine Hayles, Harold Rosenberg and Clement Greenberg, Alain Badiou, Dusan Makavejev, Marjorie Perloff, Michael Dransfield, Charles Olson, Jean-Michel Basquiat, Veronique Vassiliou, Guy Debord, Joshua Cohen, Pierre Joris, Philippe Sollers, Karen Mac Cormack, Marshall McLuhan, Lukas Tomin, John Kinsella, Zadie Smith and Vincent Farnsworth.
Louis Armand directs the Centre for Critical & Cultural Theory in the Philosophy Faculty of Charles University, Prague. He has edited
Contemporary Poetics (Northwestern, 2006),
Avant-Post: The Avant-Garde under 'Post-' Conditions (LPB, 2006) and
Hidden Agendas: Unreported Poetics (2010). He is the author of
Literate Technologies: Language, Cognition, Technicity (2006) and
Event States: Discourse, Time, Mediality. Armand is the author of seven collections of poetry and five novels, most recently
Breakfast at Midnight (2012) and
Canicule (2013), both from Equus (London). His work has been included in the
Penguin Anthology of Australian Poetry and
Best Australian Poems and a screenplay,
Clair Obscur, received honourable mention at the 2009 Alpe Adria Trieste International Film Festival. He edits
VLAK magazine.
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