Louis XXX

by Georges Bataille

translated by Stuart Kendall
ISBN 978-0-9571213-5-5
Paperback, 142pp
Publication date: April 2013
Equus Press: London


Louis XXX presents two little known hybrid texts by French novelist and philosopher Georges Bataille: 'The Little One' and 'The Tomb of Louis XXX.' Written alongside Bataille's major work, Guilty, and only loosely narrative in any conventional sense, these audaciously experimental pieces of pornographic chamber music commingle prose and poetry, fiction and autobiography, philosophical and theological meditations, abstract artifice and intimate confession, bound together by the mysterious pseudonym at their center. Jean-Jacques Pauvert claimed that The Little One was the most "shattering" text that Bataille ever wrote and Andre Breton remarked that 'The Little One' "offers the most hungering, most moving aspect of [Bataille's] thought and attests to the importance that that thought will have in the near future." The future is now as these texts appear in English for the first time. An extended postface by the translator places the works in biographical, historical, and critical perspective as assemblages constellated around the disappearance of the discursive real.

About the author

Georges Bataille (1897-1962) was a French writer whose multifaceted work is linked to the domains of literature, anthropology, philosophy, economy, sociology and history of art. Louis XXX presents a selection of Bataille's previously untranslated writings.

About the translator:

Stuart Kendall is a writer, editor, and translator working at the intersections of poetics, modern and contemporary visual culture, theology, ecology, and design. His books include Georges Bataille (Reaktion Books, Critical Lives, 2007), The Ends of Art and Design (Infrathin, 2011), and eight book-length translations of French poetry, philosophy, and visual and cultural criticism, including books by Bataille, Maurice Blanchot, Paul Eluard, Jean Baudrillard, Guy Debord, and Rene Char. In 2012, Contra Mundum published his Gilgamesh, a new version of the eponymous Mesopotamian poems.